Contemporary Calgary presents three solo exhibitions by Canadian artists Simone Elizabeth Saunders, Corri-Lynn Tetz and Maya Beaudry

CALGARY, Alta., Nov. 10, 2021 (GLOBE NEWSWIRE) – From powerfully intimate portraits to site-specific fabric installations, Contemporary Calgary is delighted to announce three outstanding solo exhibitions by Canadian artists Simone Elizabeth Saunders, Corri-Lynn Tetz and Maya Beaudry presented by RBC. Opening on November 4, 2021, these three exhibitions underpin a deeper understanding of feminine perspectives and share a tactile synergy through the artists’ respective mediums of drawing, painting, textiles, photography and sculpture.

We are delighted to present the work of these three exceptionally talented artists. The powerful and bushy portraits of Simone Elizabeth Saunders insistently raise the voices of black lives; Corri-Lynn Tetz’s works transform the eroticism of magazines into seductive and pictorial images; and Maya Beaudry merges organic growth with manufactured structures with a rainbow of blown fabrics. Together these exhibits share a sensibility, intimacy and layered complexity that we are confident visitors will appreciate.. “

—Ryan Doherty, Curator, Contemporary Calgary

RBC is committed to supporting the artistic communities that enrich and inspire us all, and we are proud to support the exceptional programming offered by Contemporary Calgary. These exhibitions reflect a thoughtful approach to representing the breadth of perspectives, while allowing the public to engage deeply with the intentions and practices of each artist in their solo exhibitions. This trio of exhibitions organized by Simone Elizabeth Saunders, Corri-Lynn Tetz and Maya Beaudry, highlights the depth of research and exploration in their respective mediums. Their individual explorations create a constellation of perspectives that support a deeper understanding of identity in relation to materiality and form.. “

—Corrie Jackson, Senior Artistic Curator, RBC

Simone Elizabeth Saunders: unity

Simone Elizabeth Saunders explores personal history, Afro-Diaspora and Black Brotherhood through bold and colorful textiles. Borrowing motifs and iconography from her Jamaican heritage, art history, literature, music and current affairs, she creates tufted portraits of singular figures, each a montage of powerful black bodies and inspiring people that collectively surface as a strong and resilient community. There is a shameless presence common to all his works, both appealing to the viewer and demanding to be seen. As much as these powerful portraits evoke the joy and resilience of black people, so much so they are woven together into connecting stories that, for Saunders, offer to herself and to others a powerful sense of belonging.

It means so much for my textiles to be seen. Stories of my works celebrate and uplift the joys, strengths and resilience of black femininity

—Simone Elizabeth Saunders

Corri-Lynn Tetz: art lover

Corri-Lynn Tetz works as a painter, focusing on the female figure as a means of exploring identity, sensation and desire. Borrowing from personal archives, fashion photography, film and pornography, she is interested in how images and meaning are transformed through painting and how this process disrupts notions of gaze to re- imagine the pictorial space.

Invested in ritual, communal intimacy, and eerie mystical events, Tetz’s paintings are drawn from romantic stories of a figure in the landscape and the seemingly endless possibilities of surface and form. Evoking memory or a distant artificial arcadia, the effect is often more poetic than narrative – with bodies and nature activated by inventive figuration, high and muted color combinations, abstract interventions and intuitive gestures. Tetz’s works speak to the history of painting, viewing and authorship assumptions, as well as how she sees the performance of femininity both absorbed and rejected.

My goal with paintings is to seduce the viewer with brushstrokes, shapes and colors. At the same time, I want them to be funny and tender, especially for those who have negotiated the complicated performativities of femininity and gender.. ”

—Corri-Lynn Tetz

Maya Beaudry: The Pergola

Maya Beaudry La Pergola’s in situ installation considers the idea of ​​interiority and confinement with regard to the natural and built environment. Wrapped in a fabric printed with photographs of living spaces and reinforced by an organic thread growth, the pergola offers a structural fluidity of being between the interior and the exterior; and between intention and spontaneity.

Beaudry’s practice draws heavily on the language of motifs in urban design and architecture. Merged with organic interruptions, it complicates the logic of the grid – that ubiquitous infrastructure that has become synonymous with urban life, from the block and the city to the pixels on our screens. The Pergola can then also be understood as the portrait of a hypercomplex system which mediates planned and entropic growth, security and entanglement. It’s a way of giving meaning to the way we inhabit spaces.

The pergola, says Maya, looks like something between purgatory and the parable. The pergola surrounds — sound, structurally. For our purposes, the pergola is a substitute for structure in general, where the human scale meets the meta-human propensity for growth – the way roses scale our vision.
—Extract from the text of Kayla Ephros

All three exhibitions will run until January 30, 2022 at Contemporary Calgary (701 11 Street SW). Single admission costs $ 10, annual memberships are only $ 20, and children 12 and under are free. Visit to learn more.

Media contact
Kate Silver
[email protected]

The photos accompanying this announcement are available on

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